Diana Ramirez-Torres
Waiting
Clay is a medium that demands to be listened to.
If the clay is not in the right state then you must wait for it
either to dry
or to rehydrate.
There is no good way to MAKE it do what you want
instead
you listen and take into consideration what the clay wants
and at the same time
you push the limits of what the clay is capable of.
That means that every interaction with clay is a dance
sometimes you lead
and sometimes the clay leads you.
Clay. Slip Clay. 2020. 6″x 4″ x 4″.
“Sacred” Making
Making is such an intimate and long process
For me, my most meaningful works
have all started with a feeling that was so deeply ingrained in my mind,
that my hands HAD to make a reality.
That is the most sacred part of it all
knowing
that the work is not done until
I can look at my creation and feel what I felt when I initially came up with the idea.
Though this sounds romantic, and often times it is
there is also another “sacred” part to my process
ABSOLUTELY HATING IT
on more than one occasion, hating it to the point where I don’t even want to finish the piece
or on one occasion
actually throwing my piece off a cliff
(don’t worry, I didn’t litter, I cleaned it up afterward).
Every so often it feels like my hands
brain
and heart lose
communication.
They all go off in their own directions and the artwork is the one who bears the burden
of these miscommunications.
Luckily, I push through it, again and again.
Persevering
beliving
knowing
that my work is worth getting to fruition.
This process, much like life, has its ups and downs but that is what makes it uniquely mine.
Listen with your heart. 2020. Clay. 8″x 4″ x 4″.
Changes. 2019. Clay. 35″ x 25″ x 18″.
Symbolism
The idea of taking something that many would consider grotesque
and turn it into something beautiful
informs a lot of my work.
Anyone can love the obvious iteration of it
a flower
sunset
the sea
but only those who look beyond the superficial can view
bugs
garbage
carnage
as a more profound embodiment of beauty.
Vulture topper and carafe. 2018. Clay. 16″ x 6″x 6″.
Corroding. 2020. Clay and Spraypaint. 24″x 12″x12″.
Gesture
Honesty, protective, vessel.
When my audience sees my current work, this is what I want them to resonate with.
A clawfoot bathtub
the luxury of it all
the memory of the womb
the battle between a space where you fit in
compared to one that you belong to
stillness in time
a place to be at peace
privacy
solitude
lonely?
More than anything
the way you view the work is more reflective of the viewer as a person
then it is of me as an artist
Work in progress. 2020. Clay. 30″x20″x13″.
Work in progress 2. 2020. Clay. 30″x20″x13″.
Media Attributions
- Clay © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Listen with your heart © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Changes © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Vulture topper and carafe © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Corroding © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Work in Progress © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
- Work in progress 2 © Diana Ramirez-Torres is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license